Feel The Message of Love in Maya Asiyah Roze’s ‘The Warrior’

The product of a father from South Africa and mother from Lesotho who were exiled during the ‘70s, Palesa Bautloane’s background is as diverse as her musical offerings. Influenced by her parents’ love for music, attending a UB40 concert was the catalyst for her beginnings as a vocalist, arts activist and cultural practitioner. 

Having picked up the marimba in 1998, she still places the instrument at the center of her creations. She’d combine this instrumentation with her love for singing and augment it with her knack for poetry – a skill gleaned from listening to her older brother’s hip hop collection.

Now known as Maya Asiyah Roze, she fuses soul, jazz, ska—a music genre that originated in Jamaica in the late 1950s, and was the precursor to rocksteady and reggae, combining elements of Caribbean mento and calypso with American jazz and rhythm and blues—and dub into her iteration of afro-reggae. Recognised as the only practising female reggae artist in Botswana, Maya aims to promote the genre with the help of producer and engineer Maleho Boxcutta Makgothi – co-founder of the Gaborone-based bandcamp store Another Tuesday Music Concept Store.

Explaining her attraction towards reggae, Maya cites the genre’s history of providing upliftment to society’s downtrodden. “As an advocate of the people,” she says, “my job is to always evoke love in them… even during the tough times”. To this end, the 37 year old artist has released her debut solo project – the first installment of her M.A.R.S (Maya Asiyah Roze Sings) series titled The Warrior.

Beginning with the project’s artwork, the theme of love in a time of war is palpable and captures the singer’s activist roots. The EP conceptually explores this with Maya playing the role of the Warrior’s lover. Over its six tracks, the notion of love is expanded upon with the lyricism and musicality accompanying each phase of the story. “I hear these melodies,” Maya says contextually, “… and my heart just does the writing”. The album blurb similarly summarises her musings while shedding light on our protagonist’s journey and revealing what messages are cocooned within the offering:

Having recovered the ancestors’ stolen land and avenging her fallen King Romi, Maya celebrates the close of a successful campaign with her allied army and their tribal leaders. With wanton revelry, they dance the night away to the psychedelic sounds of dub and jungle beats. In the midst of this riddim session, Maya meets and makes her love bond with the Warrior King Van and together they slip away from the rigors of war to find new adventure on the battlefields of love.”

Listen to Maya Roze Here

Drawing on her family history – deeply affected by her parent’s exile during apartheid – Maya delicately posits her Setswana lyricism in the realms between joy and strife. Showcasing her songwriting and composition skills, she takes on a visceral journey that wraps storytelling and organic African sounds into tropical landscapes. “I can’t tell anybody else’s story about love besides mine,” Maya shares. “This is the story of how I see myself and how amidst all of life’s challenges I have a main purpose… to heal, love and serve”.

Constructing her story with a partner in tow, Maya reveals an ethos that prioritises the collective in a way that encourages growth and building. By situating love within a situation of war, the multi-faceted artist is hypothesising that interpersonal bonds are worth fighting for. With a second installment of her volume titled The Lover on the way, she hopes the support of Another Tuesday Music Concept Store can inspire the same communal development of Botswana’s musical scene and population. “I’m very passionate about community development and how we relate to each other,” Maya says “I want to sing about love of self, love of what we do and be a symbol of hope.”

Follow Maya Asiyah Roze on Twitter.

GENGETONE—THE SOUND FROM THE STREETS OF KENYA

-Lammy

Kenya’s music scene has experienced a shift in the last few years with Gengetone growing to become the most popular sound locally and developing a healthy competition for the Nigerian and Tanzanian music that have enjoyed almost total dominance among music consumers on a commercial level in the East African country.

Being a sub-genre of Genge-rap—a genre birthed from the infusion of hip-hop and dancehall music in the early 2000s, Gengetone draws its influences from more dancehall music and less hip-hop. The Kenyan audience have widely accepted this new wave as theirs amidst controversial reactions due to the vulgarity of the lyrics and the music videos that display a lot of “twerking”…

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DREMO IS PICTURE PERFECT IN NEW ONLINE SERIES

Lammy

They say a picture is worth a thousand words, Dremo is telling a captivating story with a series of pictures and I am here for it. In his new online series ‘Perfect Picture’, he walks us through a night in the life of a typical young Nigerian man whose plan to have a good time gets ruined with each turn of uncomfortable events. Dremo is an excellent storyteller, weaving his words in impeccable flow schemes with his unmatched breath control, and he came correct as always on ‘Perfect Picture’.

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Just a talented Boyfriend, Ckay sang his way to our hearts.

-Lammy

I spoke to our boyfriend. Well, not literally but yeah (lol)…

I’d listened to the ‘Boyfriend’ EP and watched reactions on social media, taking in how Ckay won and melted the hearts of so many with this project, I wanted to find out what it was like for him putting it all together, so I asked. We are here because Ckay was graceful enough to share a glimpse of his process creating this work of art that emanates from his own reality. He calmly answers every question, his voice even more heartwarming as he speaks, piecing together his words in ways that make you feel as though you were listening to your actual boyfriend tell you about his day.

Continue reading “Just a talented Boyfriend, Ckay sang his way to our hearts.”

What 2020 Dragged in: The 1111 Project

– Titilope Adesanya

The first month of 2021 is crawling to an end, and I find myself thinking of all that the previous year brought my way. Our way. So much music, pain, tiktok challenges, conspiracy theories, loads of ‘how to’ videos, virtual shows, IG Lives, and of course the protests and awakenings, the list is endless…of all of this, the new dimension of reality that was so graciously dragged in by 2020 in the final weeks of December, in the form of ‘The 1111 Project’ is one for the books!

Strolling on these IG streets as one does on a random Tuesday, I see this video [below] on a friends page. I take a look, two looks, a third one and my mind is in a wow state, few clicks, and I am in Oladapo’s DMs, few hours and a couple exchanges later, I have an appointment for 2pm the next day.

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African Female Lyricists You Should Listen To

– Lammy

Young African women are no longer scared of being themselves unashamedly and living life on their own terms. Rap is a channel of expression for some to speak their truth, self-reflect, and reclaim their identities.

African hip-hop is evolving and despite being dominated by male rappers, there are a number of female rappers holding it down, so I made a list of some African female rappers I think deserve the same level of recognition as their male counterparts.

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